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sampatron@... wrote:

> In a message dated 5/17/2003 10:20:35 AM Central Daylight Time,

> dwatkins5@... writes:

>

> > most poetry is bad, however, especially these days - e.g., _Sex and

> > the City_, for example.

> >

>

> This is a poem? Since I don't have cable, I have never seen it. I wasn't

> aware that there was poetry on TV on a regular basis.

You haven't missed much.

Almost everything on TV is poetry these days (even much of what purports to be

fact) - maybe it was ever thus, but imo the popular poetry is getting

worse.

Regards,

Dan

>

>

> Namasté

>

> Sam in Texas §(ô¿ô)§

> Minds are like parachutes; they only function when open. - Sir Dewar

> A closed mind is a good thing to lose.

> " Minds are like parachutes; most people use them only as a last resort. "

> ~Ben Ostrowsky

> Some minds are like concrete, thoroughly mixed up and permanently set.

> ~mrantho

> A sharp tongue and a dull mind are usually found in the same head.

> " Life makes you walk that delicate balance between Making

> It Happen and Letting It Happen. " -- Rick Beneteau

>

>

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Yes, my idea of poetry is poesis - made up stuff - as opposed to logos, about

fact, reason or science.

Almost everybody likes poetry, but it seems that almost nobody likes good

poetry. I like some bad poetry myself, but then, I like cigars, whiskey,

fast food, indolence, and antique gas-hogging cars, too. You can't really go by

my tastes :-).

Regards,

Dan

sampatron@... wrote:

> In a message dated 5/17/2003 1:13:54 PM Central Daylight Time,

> dwatkins5@... writes:

>

> > Almost everything on TV is poetry these days (even much of what purports to

> > be fact)

>

> Ah, well, if that's your idea of poetry it explains your statement about

> poetry being less than worthless . Poetry is definitely not everyone's

> cuppa.

>

> Namasté

>

> Sam in Texas §(ô¿ô)§

> Minds are like parachutes; they only function when open. - Sir Dewar

> A closed mind is a good thing to lose.

> " Minds are like parachutes; most people use them only as a last resort. "

> ~Ben Ostrowsky

> Some minds are like concrete, thoroughly mixed up and permanently set.

> ~mrantho

> A sharp tongue and a dull mind are usually found in the same head.

> " Life makes you walk that delicate balance between Making

> It Happen and Letting It Happen. " -- Rick Beneteau

>

>

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  • 1 month later...
Guest guest

Dear Greg,

You wrote:

> --- Dan & Watkins wrote:

> > all we have left is poetry, which is

> > worse than useless.

>

> Dan,

>

> Surely you're not saying poetry is " worse than

> useless. " What is your meaning here?

>

Well, to the degree that poetry is made up stuff, as implied by the name, then

in the search for truth, it is less than useless ( " less than " because

it not only is not real, but it can be mistaken for the real - it is not only

false, but potentially misleading). The exception is when a piece of

poetry *does* in some sense teach the truth, or point to the truth, or is

otherwise conducive to discovering the truth - i.e., the exception is when

the poetry is also philosophy, or perhaps to the degree it is philosophy, as

with the Platonic dialogues, for example (fictional accounts of the

" dissecting " dialectic).

Politically, whether or not poetry is worse than useless depends on whether or

not it is conducive to the public good, or whether or not it is

edifying (Plato's Socrates in _The Republic_ suggests ousting all of the poets

*except* those willing and able to support only the opinions supportive

of the regime, if memory serves). I think that no one will doubt that most

contemporary poetry (_Seinfeld_ comes to mind, for some reason) fails to

meet such a standard.

wrote:

<dwatkins5@u...> wrote:

>

Otherwise, all we have left is poetry, which is worse than useless.

>

" Those are soul-numbing, stifling words -- I hope you've never said

them to a child.

Maybe you could ask the meadow lark of what use is his song. "

I'm not sure I understand the comparison - one is a strictly natural phenomenon,

the other completely artificial.

What I *might* say to a child in this regard is that television is 96.29%

worthless poetry, and that he/she shouldn't watch too much of it. Junk food

for the soul.

Sam wrote:

" Oh Greg, you took the bait! "

I think that Greg has known me long enough to know that there is sometimes some

method to my madness.

Alice wrote:

" AW, DAN1 say not so!

u know better than that............

love

ao, poet "

Please see semi-grudging qualifications above :-). Still way prefer straight

logos, though.

Best,

Dan

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Thank you so much . And thanks so much for the DHLawrence. That

he was strong and brave enough to leave us his work, his heartfelt

and deeply searched thoughts. He's been such a dear close friend for

some 30 years--the very human man left there in the work.

The mystery of the soul. Let no one limit what it is to be human.

Lawrence wrote this not long before his death. Like Jung, he knew

part of him dwelled there even as he lived:

.. . . . his hand came with a strange blind instinct and gathered her

breast and held it as in a cup, in sleep. If she moved, and shifted

his hand away, it came back by itself, stirring, groping, till it

had her breast again softly enclosed, while he slept. And she lay

encircled in his arm, feeling as if her very soul were cupped in the

soft hollow of his hand.

It was a kind of prison: a prison! Yet she knew she could break it.

So she lay perfectly still, as in a kind of inertia, in the circle

of his arm, letting her breast rest like an egg in the strong, warm

cup of his hand. Her heart was sad, and wouldn't let her sleep. And

something flick­ered like a spark of irritation in her mind.

It was what he had told her, about Bertha Coutts and about himself.

She found nothing extraordinary in it. Yet her heart hurt her,

because she had felt the bitterness and the hate of him. His desire

for sex intercourse, and his hatred of sex! His desire for woman,

and his hatred of women! This made a gnawing soreness in her heart.

Now, he slept absolutely motionless, keeping her within the circle

of his arm, her breast like a fruit on the tree, in the hollow of

his hand. And now he seemed really at peace, he seemed to have

achieved his own peace, perhaps at the expense of her own. While she

would lie still and submissive in the circle of his enclosing arm,

he was at peace, and his wounds were closed. But the moment she

broke away, he would wake, and memory would open like a wound.

She could feel the slow, strong thudding of his heart, as he held

her against him. And it made her think of that other strange

creature in him, the erect, sightless, overweening phallus. A little

frightening that had been, in its erect, blind overweening. And

somehow she realised that it was the soul of his phallus, the

overweening blind male soul in him, that had been wounded all his

life, wounded through his mother and his step-father from the

beginning of his days, and whose wound gaped with the pain and

hatred of sex. Because, his phallus was rooted in his soul, and rose

erect from the soul's deeps, in naive pride of creation. And it was

this queer, sight­less, mindless phallic nature that had been hurt in

him all his life, and whose wound only closed now, in sleep, while

she lay submissive in the circle of his flesh.

Vaguely, she realised for the first time in her life what the

phallus meant, and her heart seemed to enter a new, wide world. . .

From JOHN THOMAS AND LADY JANE (the second version of Lady

Chatterley's Lover)

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Dan wrote:

>>Huh? Dialogue *is* dissection, as far as I know.>>

And ignored the rest. But that you think the above is obvious (oft

demonstrated) and to you great loss.

Deborah

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Thanks Deb - I was first introduced to Lawrence in the diaries of

Anais Nin back in the 70s. She described him as one of the few men

who truly understood women. But I hadn't read this beautiful passage

from Lady Chatterly's Lover -- I'm so biased - I've stuck mainly to

the poems. His connection to the divine feminine is apparent in so

many of them as is his concern for the earth and her creatures.

Contributing to the 'atrocity exhibition' of the current U.S. regime,

we see our gov't taking a huge step backward, once again intending

great harm to the environment and to non-human others in the name of

profits. So I offer this, another poem by Lawrence, as a way of

speaking for those who need allies among our kind, and a way of

speaking my human grief.

Mountain Lion

Climbing through the January snow, into the Lobo canyon

Dark grow the spruce-trees, blue is the balsam, water

sounds still unfrozen, and the trail is still evident.

Men!

Two men!

Men! The only animal in the world to fear!

They hesitate.

We hesitate.

They have a gun.

We have no gun.

Then we all advance, to meet.

Two Mexicans, strangers, emerging out of the dark and

snow and inwardness of the Lobo valley.

What are they doing here on this vanishing trail?

What is he carrying?

Something yellow.

A deer?

Que tiene, amigo?

Leon--

He smiles, foolishly, as if he were caught doing wrong.

And we smile, foolishly, as if we didn't know.

He is quite gentle and dark-faced.

It is a mountain lion,

A long, long slim cat, yellow like a lioness.

Dead.

He trapped her this morning, he says, smiling foolishly.

Lift up her face,

Her round, bright face, bright as frost.

Her round, fine-fashioned head, with two dead ears;

And stripes in the brilliant frost of her face, sharp, fine

dark rays,

Dark, keen, fine rays in the brilliant frost of her face.

Beautiful dead eyes.

Hermoso es!

They go out towards the open;

We go on into the gloom of Lobo.

And above the trees I found her lair,

A hole in the blood-orange brilliant rocks that stick up, a

little cave.

And bones, and twigs, and a perilous ascent.

So, she will never leap up that way again, with the yellow

flash of a mountain lion's long shoot!

And her bright stiped frost-face will never watch any

more, out of the shadow of the cave in the blood-

orange rock,

Above the trees of the Lobo dark valley-mouth!

Instead, I look out.

And out to the dim of the desert, like a dream, never real;

To the snow of the Sangre de Cristo mountains, the ice of

the mountains of Picoris,

And near across at the opposite steep of snow, green trees

motionless standing in snow, like a Christmas toy.

And I think in this empty world there was room for me

and a mountain lion.

And I think in the world beyond, how easily we might

spare a million or two humans

And never miss them.

Yet what a gap in the world, the missing white frost-face

of that slim mountain lion!

> Thank you so much . And thanks so much for the DHLawrence.

That

> he was strong and brave enough to leave us his work, his heartfelt

> and deeply searched thoughts. He's been such a dear close friend

for

> some 30 years--the very human man left there in the work.

>

> The mystery of the soul. Let no one limit what it is to be human.

> Lawrence wrote this not long before his death. Like Jung, he knew

> part of him dwelled there even as he lived:

>

> . . . . his hand came with a strange blind instinct and gathered

her

> breast and held it as in a cup, in sleep. If she moved, and shifted

> his hand away, it came back by itself, stirring, groping, till it

> had her breast again softly enclosed, while he slept. And she lay

> encircled in his arm, feeling as if her very soul were cupped in

the

> soft hollow of his hand.

> It was a kind of prison: a prison! Yet she knew she could break it.

> So she lay perfectly still, as in a kind of inertia, in the circle

> of his arm, letting her breast rest like an egg in the strong, warm

> cup of his hand. Her heart was sad, and wouldn't let her sleep. And

> something flick­ered like a spark of irritation in her mind.

>

> It was what he had told her, about Bertha Coutts and about himself.

> She found nothing extraordinary in it. Yet her heart hurt her,

> because she had felt the bitterness and the hate of him. His desire

> for sex intercourse, and his hatred of sex! His desire for woman,

> and his hatred of women! This made a gnawing soreness in her heart.

>

> Now, he slept absolutely motionless, keeping her within the circle

> of his arm, her breast like a fruit on the tree, in the hollow of

> his hand. And now he seemed really at peace, he seemed to have

> achieved his own peace, perhaps at the expense of her own. While

she

> would lie still and submissive in the circle of his enclosing arm,

> he was at peace, and his wounds were closed. But the moment she

> broke away, he would wake, and memory would open like a wound.

>

> She could feel the slow, strong thudding of his heart, as he held

> her against him. And it made her think of that other strange

> creature in him, the erect, sightless, overweening phallus. A

little

> frightening that had been, in its erect, blind overweening. And

> somehow she realised that it was the soul of his phallus, the

> overweening blind male soul in him, that had been wounded all his

> life, wounded through his mother and his step-father from the

> beginning of his days, and whose wound gaped with the pain and

> hatred of sex. Because, his phallus was rooted in his soul, and

rose

> erect from the soul's deeps, in naive pride of creation. And it was

> this queer, sight­less, mindless phallic nature that had been

hurt

in

> him all his life, and whose wound only closed now, in sleep, while

> she lay submissive in the circle of his flesh.

>

> Vaguely, she realised for the first time in her life what the

> phallus meant, and her heart seemed to enter a new, wide world. . .

>

> From JOHN THOMAS AND LADY JANE (the second version of Lady

> Chatterley's Lover)

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>

>

>Otherwise, all we have left is poetry, which is worse than useless.

>

Really, Dan? I would say that poetry might be the thing that saves us.

Marilyn

--

A candle loses nothing by lighting another candle.

~ Majors

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In a message dated 5/17/2003 10:20:35 AM Central Daylight Time,

dwatkins5@... writes:

> most poetry is bad, however, especially these days - e.g., _Sex and

> the City_, for example.

>

This is a poem? Since I don't have cable, I have never seen it. I wasn't

aware that there was poetry on TV on a regular basis.

Namasté

Sam in Texas §(ô¿ô)§

Minds are like parachutes; they only function when open. - Sir Dewar

A closed mind is a good thing to lose.

" Minds are like parachutes; most people use them only as a last resort. "

~Ben Ostrowsky

Some minds are like concrete, thoroughly mixed up and permanently set.

~mrantho

A sharp tongue and a dull mind are usually found in the same head.   

" Life makes you walk that delicate balance between Making

It Happen and Letting It Happen. " -- Rick Beneteau

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In a message dated 5/17/2003 1:13:54 PM Central Daylight Time,

dwatkins5@... writes:

> Almost everything on TV is poetry these days (even much of what purports to

> be fact)

Ah, well, if that's your idea of poetry it explains your statement about

poetry being less than worthless . Poetry is definitely not everyone's

cuppa.

Namasté

Sam in Texas §(ô¿ô)§

Minds are like parachutes; they only function when open. - Sir Dewar

A closed mind is a good thing to lose.

" Minds are like parachutes; most people use them only as a last resort. "

~Ben Ostrowsky

Some minds are like concrete, thoroughly mixed up and permanently set.

~mrantho

A sharp tongue and a dull mind are usually found in the same head.   

" Life makes you walk that delicate balance between Making

It Happen and Letting It Happen. " -- Rick Beneteau

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Guest guest

Dear Marilyn,

Not impossible, I suppose - depends on the poet. I will continue to maintain

that most poetry is bad, however, especially these days - e.g., _Sex and

the City_, for example.

Regards,

Dan

Marilyn Geist wrote:

> >

> >

> >Otherwise, all we have left is poetry, which is worse than useless.

> >

> Really, Dan? I would say that poetry might be the thing that saves us.

>

> Marilyn

>

> --

> A candle loses nothing by lighting another candle.

> ~ Majors

>

>

> " Our highest duty as human beings is to search out a means whereby beings may

be freed from all kinds of unsatisfactory experience and suffering. "

>

> H.H. Tenzin Gyatso, the 14th. Dalai Lama

>

>

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In a message dated 5/17/2003 2:03:03 PM Central Daylight Time,

dwatkins5@... writes:

> my idea of poetry is poesis - made up stuff - as opposed to logos, about

> fact, reason or science

Sure, as in hematopoesis, but then, that's made up stuff we measure by

science to determine a fact and use our reason to decide if it's functional

enough or not to support life. But that kind of poetry is generally only

appealing to old lab techs like me. *G*

>but then, I like cigars, whiskey,

>fast food, indolence, and antique gas-hogging cars, too. You can't really go

by my >tastes :-).

As far as I'm concerned your tastes are just fine; it's your ideas that

totally baffle me. I bet you'd love my old '67 Skylark convertible. It's

all original - except for the top, of course, and the carburetor. There just

wasn't any way to rebuild the carburetor - again. Oh, and the water pump;

those aluminum water pumps just didn't work with the cast iron blocks for

some reason. I suppose it's that dissimilar metals thing. One more thing;

it's a standard shift. Not too many Buicks that aren't automatics. Oh, and

the owner is the original, too. ;>)

Well, off to eat my poetic dinner that wasn't what I'd planned to make at all

but I made it up with what I had and somehow it all came together and now

we'll top it off with a good cabernet.

Namasté

Sam in Texas §(ô¿ô)§

Minds are like parachutes; they only function when open. - Sir Dewar

A closed mind is a good thing to lose.

" Minds are like parachutes; most people use them only as a last resort. "

~Ben Ostrowsky

Some minds are like concrete, thoroughly mixed up and permanently set.

~mrantho

A sharp tongue and a dull mind are usually found in the same head.   

" Life makes you walk that delicate balance between Making

It Happen and Letting It Happen. " -- Rick Beneteau

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